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lindsey buckingham guitar on the chain

Rumours would have been dead, just about. Look, I mean it does make me question who these people are, but again, to look at it compassionately, I think it’s all coming from a lack of perspective and to some degree a certain weakness on their parts. Little wonder that she joined him enthusiastically to sing "You can go your own way" on the chorus. BUCKINGHAM: It was probably a departure from much of that album, and much of what I am not as much a fan of about it now is that it was kind of a reaction to the political climate in a post-Tusk environment. "Lindsey might walk in the room and say, 'I've been thinking; I've got a great idea for a guitar solo on 'Go Your Own Way',' and so we'd work on that and put it down," Caillat explains. "I'd have different lead-guitar takes on five or six faders, and I knew that this fader had this really good lick, so I'd bring it up and everybody would go, 'Hey, I love that lick, so don't forget it.' Still, it was also at Heider's that we almost lost the album, due to the tape wearing out. STEREOGUM: “Trouble” was your first solo single. STEREOGUM: Familial themes tie into this spectral folk song I wanted to ask about, “Time Precious Time.”. The man who helped make Fleetwood Mac famous has had an equally intriguing solo career. However, I noticed, when he would sit around and play in the studio, that I liked the sound of the high frequency that comes off the strings — it's hardly a note, but more of a second-octave, third-octave harmonic thing. Why don't I invert the keyboard down a third and get out of Lindsey's way?' BUCKINGHAM: The time lag in some ways was the subject of a repeating theme that would happen when I wanted to maybe make a quicker transition into a next solo project, but Fleetwood Mac would always say, “Well, we gotta do this.” After Go Insane, which I didn’t tour, there was Mirage, and there was a tour behind Mirage. "Or Stevie might say she had an idea for a background vocal and we'd work on that. We cut the hell out of that tape. STEREOGUM: The “Trouble” video is iconic in its own way, but for the videos for this album — “Slow Dancing” and “Go Insane” — you got costumes and sets and visual effects. I said, 'Goddamn it, what the hell's going on here,' and I literally just started turning knobs, and within about five minutes of doing this on a track we were trying to cut, it was sounding great. If they ask me to come back, would I? We had everything mic'd up for whatever effects we wanted. Since all of this just happened to coincide with the mainstream triumph of the eponymous 1975 album that spawned the hit singles 'Over My Head', 'Say You Love Me' and 'Rhiannon', and the record company was telling them that superstar status was now theirs for the taking, the band members had little choice but to stick it out and record a follow-up. Concentrate! Everything sounded like a miniature person was playing these miniature instruments, and we were just pulling our hair out. And I also couldn't have done it that way in Pro Tools. So what guitar does Lindsey Buckingham play? I remember, I'd gone away for Christmas vacation and got snowed in at Lake Tahoe, and when I finally returned I got a midnight call telling me to come to the studio because they'd been trying to mix that song and couldn't build the guitar solo. The other side of that is do I want to be an artist; do I want to call my own shots; do I want to engage in what is vital or seemingly vital, what seems important to me in that moment and not worry about what the outcome is on a commercial level. It's great.' BUCKINGHAM: I did this thing with Christine last year, which was actually a really nice album. And I’m the one who gets fired, right? To retain as much transients as possible without saturating the tape, I'd recorded it at 15ips, Dolby, zero level. BUCKINGHAM: Yes. They all got very interested in reviewing their parts, so things kinda got a little more serious that way, and this was right about the same time that Mick's wife left him. It was painful, especially as the guys were all living at this Record Plant house, but thankfully by the time we got back to LA, and everybody was sleeping in his or her own bed, it was just a case of getting together to work every day.

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